visual anthropology – Philbu's Blog

Seminar: Digital Visuality & Popular Culture

2024/03/12 philbu No Comments

The course “Digital Visuality and Popular Culture” for the MA program CREOLE at the University of Vienna provides an overview about digital visuality as a key phenomenon of contemporary visual culture and its connection to popular culture. By working on ethnographic research projects, students explore the diversity of digital practices, their visual dimension and their meaning for popular cultural processes and phenomena.

Exhibition at Ars Electronica, Austria. (Photo by Philipp Budka)

With the advent of digital media and technologies, internet-based devices and services, mobile computing as well as software applications and social media platforms new opportunities and challenges have come to the forefront in the anthropological research of visual culture. Digital media technologies have become ubiquitous means of visual communication, interaction and representation. For anthropology it is of particular interest how people engage with digital media technologies and content, how “the digital” is embedded in everyday life and how it relates to different sociocultural phenomena.

One of these phenomena is popular culture: processes and practices related to the production, circulation and consumption of, for example, music, film, fashion and advertisements as well as the construction and mediation of celebrities. Moreover, popular culture is closely connected to other cultural phenomena such as fan culture, public culture and participatory culture. Fans, for instance, engage in various forms of visual productivity and play a crucial role in the creation and circulation of cultural artifacts related to their fandom such as memes.

By working on different case studies, students get a comparative overview about digital visuality and visual aspects of popular culture. Students conduct ethnographic projects and engage with key questions. What theoretical concepts and analytical categories of sociality can be used to study visual and popular culture? How does digital visuality constitute and mediate cultural performances and rituals? How do social media platforms enable and change visual culture and communication? The university’s online learning management system is used to provide resources and content as well as to foster student’s exchange and communication beyond the classroom.

Selected Literature (reading list will be provided in 1st class)

Budka, P., & Bräuchler, B. (eds.). (2020). Theorising media and conflict. Berghahn.
Costa, E., et al. (eds.). (2022). The Routledge companion to media anthropology. Routledge.
Fabian, J. (1998). Moments of freedom: Anthropology and popular culture. University Press of Virginia.
Favero, P. (2018). The present image: Visible stories in a digital habitat. Palgrave Macmillan.
Gómez Cruz, E., et al. (eds.). (2017). Refiguring techniques in digital visual research. Palgrave Macmillan.
Jenkins, H. (2014). Rethinking “rethinking convergence/culture”. Cultural Studies, 28(2).
Miller, D., & Sinanan, J. (2017). Visualising Facebook: A comparative perspective. UCL Press.
Miller, D., et al. (2016). How the world changed social media. UCL Press.
Uimonen, P. (2015). Mourning Mandela: Sacred drama and digital visuality in Cape Town. Journal of Aesthetics & Culture, 7(1).

Seminar: Digital Visuality & Popular Culture

2023/03/08 philbu No Comments

The seminar “Digital Visuality and Popular Culture” for the MA program CREOLE at the University of Vienna provides an overview about digital visuality as a key phenomenon of contemporary visual culture and its connection to popular culture. By working on ethnographic research projects, students explore the diversity of digital practices, their visual dimension and their meaning for popular cultural processes and phenomena.

Films & videos on media activism & more

2020/06/30 philbu No Comments

This is a selection of films and videos on mediated activism, anthropological perspectives on media and culture, and globalization and (de)colonization in relation to media.
Compiled by Philipp Budka with the generous support of colleagues of the EASA Media Anthropology Network and the EASA Visual Anthropology Network.

Al Jazeera (2017). Podemos vs the Spanish Media. (10.27 min.). https://www.aljazeera.com/programmes/listeningpost/2017/04/podemos-spanish-media-170429123101624.html (openly available)

Balmès, T. (2014). Happiness. (80 min.). https://thomasbalmes.com/happiness/ (not openly available)

Bardet, S. et al. (212). The Himbas are Shooting!. (52 min.). https://www.association-kovahimba.net/en/maps/50-bande-annonce/trailer/70-les-himbas-font-leur-cinema-6 (not openly available)

Bishop, J., & Prins, H. (2003). Oh, what a blow that phantom gave me! (52 min.). https://search.alexanderstreet.com/preview/work/bibliographic_entity%7Cvideo_work%7C1876691 (not openly available)

Cavallone, E. (2016). Media & conflicts: Dangerous liaisons, an INFOCORE study reveals. (8 min.). https://www.euronews.com/2016/11/21/media-conflicts-dangerous-liaisons-an-infocore-study-reveals (openly available)

CBC News: The National (2012). Idle No More. (2.39 min.). https://www.youtube.com/watch?v=SpBdZtwH_xc (openly available)

Seminar: Media Activism

2019/05/09 philbu No Comments

https://commons.wikimedia.org/wiki/File:OccupyHandSignals.pdf

For the MA Program “Visual and Media Anthropology” at the Free University Berlin, I am organizing a newly developed seminar on media activism.

Course Description

Activism with/in/through media can be broadly understood as forms of technology mediated activism that intend to spark, create and/or support social and political change. So change (and therefore continuity) is at the heart of media activism, as, for instance, Kidd and Rodriguez (2009: 1) note: “Grassroots media have grown from a set of small and isolated experiments to a complex of networks of participatory communications that are integral to local, national, and transnational projects of social change”. Since media activism is related to a diversity of phenomena – such as power relationships, conflict or globalization – as well as to questions about the conception of time and space, organizational structures, collective identities and different forms of sociality, it has become a broad, interdisciplinary research field. This course gives an overview of media activism from a predominantly anthropological and ethnographic perspective.

When engaging with media activism, a variety of contexts, theoretical conceptualizations and methodological approaches have to be considered. In this course, students learn about these aspects by reviewing relevant literature and by discussing different forms and examples of media activism and related questions, issues and problems:

How can we contextualize media activism and related practices in anthropology?
What historical developments can we identify? And what does this tell us about contemporary activist processes and practices?
What is the role of (sociocultural and technological) change, politics, power, globalization and (de)colonization in an anthropological engagement with media activism?
How can we ethnographically describe and analyze media activist processes and practices? What are the possibilities and challenges?
How can we understand media activism in digital times and in the age of social media? What has changed?
What does it mean to interpret and conceptualize media activism as (a form or a part of) cultural activism?

Reference

Kidd, D., & Rodriguez, C. (2009). Introduction. In C. Rodriguez, D. Kidd, & L. Stein (Eds.), Making our media: Global initiatives toward a democratic public sphere, Volume 1: Creating new communication spaces (pp. 1-22). New York: Hampton Press.

Book: Ritualisierung – Mediatisierung – Performance

2019/04/15 philbu No Comments

Luger, M., Graf, F., & Budka, P. (Eds.). (2019). Ritualisierung – Mediatisierung – Performance. (Ritualization – Mediatization – Performance). Göttingen: V&R Unipress/Vienna University Press.

Abstract
Ritualisierung, Mediatisierung und Performance dienen als konzeptionelle Hilfsmittel, um Veränderungen und Kontinuitäten im Alltagsleben sozialer Akteurinnen und Akteure sowie in spezifischen Kontexten zu situieren. Dieser Band zeigt anhand konkreter ethnographischer Beispiele, dass rituelle, mediale und performative Prozesse und Praktiken idealerweise gemeinsam, in ihrer Relationalität zueinander betrachtet werden. Neben einem Schwerpunkt auf Transformation enthält der Band Beiträge zu ausgewählten Aspekten der Theorie, Methode und Geschichte der Kultur- und Sozialanthropologie und zu einer Ethnographie und Kulturgeschichte der Karibik, die sozialen Status, religiöse Praxis und Erinnerung behandeln sowie Texte, die Verbindungen zwischen politischen, medialen und kulturellen Sphären diskutieren.

Ritualization, mediatization and performance are conceptual tools to situate sociocultural change and continuity in everyday life and in specific contexts. By building on ethnographic case studies, this volume demonstrates that ritual, media and performative processes and practices are best explored in relation to each other. In addition to a general focus on transformation, this book includes contributions on selected aspects of the theory, methodology and history of social and cultural anthropology. Chapters about the history and ethnography of the Caribbean that discuss social status, religious practices and cultural remembrance, as well as texts that explore the connections between political, media and cultural spheres complement the volume.

Inhaltsverzeichnis
Martin Luger / Philipp Budka / Franz Graf
Kultur- und sozialanthropologische Perspektiven auf Ritualisierung, Mediatisierung und Performance. Eine Einleitung
Marion Linska
Selbstfürsorge im Feld. Überlegungen aus existenzanalytischer Perspektive
Yvonne Schaffler / Bernd Brabec de Mori
»Cuando el misterio insiste« – »Wenn sich der Geist Gehör verschafft«. Die Kunst der Überzeugung im dominikanischen Vodou
Stephanie Schmiderer
Präsenz der Gottheiten. Zum Verständnis transformativer Performance im haitianischen Vodou und seiner Diaspora
Elke Mader
Rund um die Palme. Rituelle Prozesse, indigene Politik und Medien in Ecuador
Birgit Bräuchler
Praxeologische Überlegungen zur Mediatisierungsdebatte. Eine ethnologische Perspektive
Philipp Budka
Von der Cyberanthropologie zur Digitalen Anthropologie. Über die Rolle der Kultur- und Sozialanthropologie im Verstehen soziotechnischer Lebenswelten
Manfred Kremser
»Shango is a Powerful Fellow!«. Repräsentation spiritueller Macht in afrokaribischen Kulturen
Adelheid Pichler
Artefakte und Erinnerung. Ein Beitrag zur Interpretation materieller Kultur in den afrokubanischen Religionen
Werner Zips
»She’s Royal« – »Queenmothers« in Ghana. Ein afrikanisches Rollenmodell für Jamaika
Manfred Kremser / Franz Graf / Gertraud Seiser
»Ein Leben scannen«. Fragmentarische Retrospektive von und auf Manfred Kremser

Seminar: Digital & Visual Technologies as Material Culture

2019/02/28 philbu No Comments

In the summer term 2019, I am giving a seminar on digital and visual technologies as material culture at the Department of Social and Cultural Anthropology (MA & CREOLE study programme) of the University of Vienna. Find more information online.

This course gives an overview about material culture as a conceptual and practical approach to understand digital and visual technologies. In doing so, it focuses on digital technologies, their visual aspects and how they are integrated and utilized in everyday life.

Mobile networked digital media technologies, such as smart phones, as well as social media platforms and services, such as Facebook or Instagram, have become important (visual) communication and (re)presentation tools. For social and cultural anthropology it is of particular interest how these digital devices and technologies are integrated and embedded into everyday life, by considering changing sociocultural, political and economic contexts. This course focuses in particular on the material aspects of digital and visual technologies and how they are utilized on a day-to-day basis. Questions about the relevance of a material culture approach for (the understanding of) technology appropriation on a theoretical and practical level as well as questions about (culturally) different usage practices are discussed. How does the understanding and conceptualisation of digital and visual technology as material culture contribute to the exploration and analyses of contemporary and emerging sociocultural practices and processes in increasingly digital societies?

By working on different case studies, students get a comparative overview about material culture in the context of digital and visual technologies. Students conduct small empirical research projects within teams.

Paper: The anthropology of digital visuality

2018/11/16 philbu No Comments

Budka, P. (2018). The anthropology of digital visuality: Notes on comparison, context and relationality. Paper at Vienna Anthropology Days 2018 (VANDA2018), Vienna, Austria: University of Vienna, 20 September.

Sociocultural anthropology provides theoretical approaches and concepts to comparatively study local life-worlds, to contextualize cultural meaning, and to (re)consider human/non-human and socio-technical relations that have been emerging with digital media technologies (e.g. Horst & Miller 2012, Moore 2012, Whitehead & Wesch 2012). Ethnography and ethnographic fieldwork, as methodological tools, allow for investigating digital practices and processes by considering the above aspects (Pink et al. 2016). For anthropology it is of particular interest how people engage on a day-to-day basis with digital media and technologies, internet-based devices and services, mobile computing as well as software applications and digital platforms.

In this paper, I discuss, from an anthropological perspective and through brief ethnographic examples, digital visuality as a contemporary phenomenon that constitutes emerging patterns of visual communication and culture. In addition, I am briefly discussing digital visuality as a concept to approach and investigate the visual in digital times.

Digital media technologies and mobile networked devices, such as smart phones, have become ubiquitous means of visual production, communication and representation (e.g. Gómez Cruz et al. 2017). Moreover, digital platforms and social media services, such as YouTube, Facebook and Instagram, are utilized to share and consume visual artefacts. Constituting and changing thus communicative practices and visual culture alike. Consequently, these transformation processes provide new challenges and possibilities for the anthropological and ethnographic study of the visual (e.g. Pink 2011).

Digital visuality

Panel: “Digital Visuality” @ VANDA 2018

2018/07/30 philbu No Comments

PANEL “DIGITAL VISUALITY” @ Vienna Anthropology Days (VANDA) 2018 (September 19-22, 2018)

Convenors:
Elke Mader & Philipp Budka

Thursday, 20 September
11:00-17:00
Room 4 (New Institute Building (NIG) of the University of Vienna, Universitätsstraße 7)

Paper Presentations:
(Timetable)

Philipp Budka: The Anthropology of Digital Visuality: Notes on Comparison, Context and Relationality

Harjant Gill: Introduction to Multimodal Anthropologies

Petr Nuska: “Changing the Equipment or Changing the Perspective?” – Exploring Film and Video Approach in Visual Ethnography

Katja Müller: Contemporary Photography in India – Post-media Aesthetics, Traditional Art and Economic Professionalism

Uschi Klein: What Does a Photograph Really Tell Us? The Photography of Young Male Adults with Autism Spectrum Disorder

Fatma Sagir: “We Can See Your Hair, Dina!” – Muslim Female Embodiments of Digital Visibilities

Nadia Molek: Argentinian Slovenians Online: Facebook Groups of Slovenian Descendants in Argentina as Mediators of Identity Performances and Rituals
(via Skype)

Daria Radchenko: Digital Anthropology and/or Digital Traces: Seeing the City Through the Eyes of Locals

Elke Mader: Mediating the Krampus: Digital Visuality, Ritual and Cultural Performance

VANDA 2018 Full Program

Review: Digital environments: Ethnographic perspectives across global online and offline spaces

2018/07/19 philbu 2 Comments

Budka, P. (2018). [Review of the book Digital environments: Ethnographic perspectives across global online and offline spaces, by U. U. Frömming, S. Köhn, S. Fox & M. Terry]. Anthropos, 113(1), 303-304.

The edited volume “Digital Environments: Ethnographic Perspectives Across Global Online and Offline Spaces” is a collection of 16 essays by students and graduates of the M.A. Programme in Visual and Media Anthropology at the Free University Berlin. This is the first special feature of the book. The second is the anthropological and ethnographic perspective from which the individual texts discuss a diversity of digital technologies, platforms, services as well as related sociocultural phenomena, events and practices. As Sarah Pink in the book’s foreword notes, these texts and the underlying projects “focus on central issues of the discipline … through the prism of visual and media anthropology” (p. 10). Being not part of the anthropological mainstream, this visual and media anthropology perspective holds the potential of providing exiting new insights in digital culture and our increasingly digitalised societies. The digital ethnography perspective, on the other hand, focuses on “the ways in which technologies have become inseparable from other materialities and human activities” including ethnographic fieldwork, as Urte Undine Frömming, Steffen Köhn, Samantha Fox and Mike Terry note in the introduction chapter (p. 15).
Continue reading Review: Digital environments: Ethnographic perspectives across global online and offline spaces

Panel: The Digital Turn: New Directions in Media Anthropology [Media Anthropology Network]

2018/05/14 philbu No Comments

The EASA Media Media Anthropology Network is organizing a panel at the 15th European Association of Social Anthropologists Biennial Conference in Stockholm, 14-17 August 2018.

“The Digital Turn: New Directions in Media Anthropology [Media Anthropology Network]”
Convenors:
Philipp Budka (University of Vienna)
Elisabetta Costa (University of Groningen)
Sahana Udupa (Ludwig Maximilian University)

This panel recognizes the digital turn as a paradigm shift in the anthropological study of media, and aims to push further the ethnographic knowledge into the role that digital media play in people’s everyday life and broader sociopolitical transformations.

What’s New? Turns, Re-turns in Digitalization of Danish Right-wing Online Vitriol Language
Peter Hervik (Aalborg University)
Extreme Speech: Online Media Cultures as a Context for Right-Wing Politics
Sahana Udupa (Ludwig Maximilian University Munich)
Populist Masculine Domination in the Moments of Trump and Brexit: On the importance of Big <-> Thick Description
Bryce Peake (University of Maryland)
Rethinking Women’s Agency and Digital Media in the Middle East
Elisabetta Costa (University of Groningen)
Gendering Chinese Digital Media Politics
Samuel Lengen (Anglia Ruskin University)
Gender, Kinship and Mediation in Rural West Bengal, India
Sirpa Tenhunen (University of Helsinki)
An Ethnography of Young People`s Gender Negotiations in Everyday Digital (Sexual) Peer Cultures
Irene Arends (University of Amsterdam)
The Material Dimension of Digital Visuality: Anthropological Possibilities, Challenges and Futures
Philipp Budka (University of Vienna)
Matters of Similarity: Affordances of Digital Visualities
Christoph Bareither (Humboldt-University Berlin)
Digital Visualities Disrupted – Local Photographers in Aleppo and the Shifting Infrastructures of War
Nina Grønlykke Mollerup (University of Copenhagen)

Seminar: Indigenous Media 2018

2018/05/08 philbu No Comments

For the 4th time I am organizing the seminar “Indigenous Media” for the MA Program Visual and Media Anthropology at the Free University Berlin.

In this course, students are introduced to indigenous media technologies by actively discussing in 10 units/sessions different questions, issues and problems:

How do indigenous people produce, distribute and utilize audiovisual media?
How has ethnographic and anthropological film making changed through indigenous media?
What role do politics, power, globalization and (post-)colonialism play in the production, distribution and consumption of indigenous media?
How do indigenous people utilize media to construct and negotiate their individual and collective identities?
How are indigenous cultures and languages represented through media?
How do indigenous people appropriate and (co-)develop digital media technologies?

We start our seminar with the contextualization of indigenous media within an anthropology of media. In the second unit students are introduced to selected debates about the meaning and relevance of (mass) media for indigenous people and their sociocultural life worlds. We then discuss ethnographic film making and visual anthropology in the context of indigenous people’s changing role from “objects” for ethnographic films to partners in (collaborative) media projects. The fourth unit deals with (post-)colonialism and decolonization and their implications for indigenous media. This discussion leads us to the self-controlled production of indigenous media and its relevance for issues such as (self-)representation, appropriation, control and empowerment. Globalization, modernity and related questions of collective indigenous identity construction are the topics of the sixth unit. The following three sessions are closely connected, discussing aspects of identity, community, networking, ownership, activism, empowerment, aesthetics, poetics and popular culture in relation to indigenous media. In the final unit, students learn about the significance of digital technologies and infrastructures for indigenous people.

Through several case studies, students are introduced to the similarities and differences of indigenous media projects throughout the world. These case studies take us to different regions, countries and continents: from Nunavut, Canada and the United States to the Caribbean, Guatemala, Mexico and Brazil, to Nigeria, Myanmar, Australia and Finland. The seminar’s assignments include the preparation of an essay at the end of the seminar and short weekly literature and film reviews/critiques as well as an active contribution to discussions during the online sessions, which are organized with the online conference tool Adobe Connect.

CfP: “Digital Visuality” – Vienna Anthropology Days (VANDA 2018)

2018/04/15 philbu No Comments

VIENNA ANTHROPOLOGY DAYS (VANDA 2018)
September 19-22, 2018

Call for Papers
Session “Digital Visuality”

Prof. Dr. Elke Mader and Dr. Philipp Budka
(Department of Social and Cultural Anthropology, University of Vienna)

Presentations in English or German, max. 15 min.
Abstract of 350 words: https://vanda.univie.ac.at/call-for-papers/
Deadline: 1 June 2018
Venue: New Institute Building (NIG) of the University of Vienna
Universitätsstraße 7, 1010 Vienna, Austria

Abstract

Visual communication and visual culture have been a research focus in social and cultural anthropology for quite some time (e.g. Banks & Ruby, 2011). With the advent of digital media and technologies, internet-based devices and services, mobile computing as well as software applications and digital platforms new opportunities and challenges have come to the forefront in anthropological research, education and communication of visuality (e.g. Pink, 2011). Digital media technologies have become ubiquitous means of visual communication, interaction and representation. For anthropology and its subdisciplines, such as digital, media and visual anthropology, it is of particular interest how people engage with digital media and technologies, how “the digital“ is embedded in everyday life and how it relates to different social practices and cultural processes in human societies. By considering changing sociocultural, political and economic contexts and through ethnographic fieldwork, a continuously growing number of anthropological projects is aiming for a better understanding of contemporary digital phenomena (e.g. Horst & Miller, 2012).
This session contributes to these endeavours by inviting papers that focus on the visuality and visual aspects of digital life and culture. Papers could present ethnographic studies and discuss some of the following questions:

What does “the digital” mean for visual anthropology and/or the (interdisciplinary) relationship between anthropological subdisciplines and other visual research fields?
How does visual anthropology provide new perspectives on digital visuality?
How do specific conceptual approaches contribute to the analysis and understanding of digital visuality (e.g. ritualization, performativity, representation, material culture, practice theory)?
What theoretical concepts and analytical categories of sociality can be used to study (differences of) visual culture?
How does digital visuality co-constitute and mediate cultural performances and rituals?
How do digital platforms and social media services, such as YouTube, Facebook, Instagram, Twitter or Snapchat, and related practices constitute and change (visual) communication?
How does digital visuality impact and redefine ethnographic research (e.g. research techniques, tools, ethics)?
What are possible futures for digital visual anthropology and ethnography?

For questions concerning this session, please contact philipp.budka@univie.ac.at
For questions concerning registration, abstract submission and hotel reservation, please contact congress@univie.ac.at

CfP: The Digital Turn: New Directions in Media Anthropology

2018/03/01 philbu No Comments

The EASA Media Anthropology Network is organising a network panel at the 15th EASA Biennial Conference “Staying, Moving, Settling” in Stockholm, 14-17 August, 2018.
Please find the Call for Papers below.
Deadline: 9 April 2018.

Convenors

Philipp Budka (University of Vienna)
Elisabetta Costa (University of Groningen)
Sahana Udupa (Ludwig Maximilian University)

Abstract

The digital turn in media anthropology signals the growing importance of digital media technologies in contemporary sociocultural, political and economic processes. This panel recognizes the digital turn as a paradigm shift in the anthropological study of media, and aims to foreground three important streams of exploration that constitute new directions in the anthropology of media.

The rise of online vitriol against vulnerable communities has punctured euphoric pronouncements about digital media as a radical enabler of grassroots democracy. A significant aspect of digital extreme speech is gender based violence in digital environments. Beyond the specific instances of online violence, gendering media anthropology remains a crucial and broader area of intervention. Similarly, different forms of digital visualities have accentuated the materialities that constitute everyday digital experiences and their varied cultural ramifications. Charting the three directions as gendering digital media, materialities of digital visualities and online extreme speech, this panel aims to push further the ethnographic knowledge into the role that digital media play in people’s everyday life and broader sociopolitical transformations.

We invite ethnographic and/or theoretical papers that focus either on
(1) the gendered dimension of digital practices and introduce innovative theoretical insights into the relationship between gender and the digital;
(2) extreme speech and online vitriol aimed at refugees, migrants, sexual minorities and other vulnerable communities, but online extreme speech as also a means for political contestation;
(3) material dimensions of digital visualities as constituting features of new ways of communication and interaction.

https://nomadit.co.uk/easa/easa2018/conferencesuite.php/panels/6386
https://www.easaonline.org/conferences/easa2018/cfp

Seminar: Indigenous Media 2017

2017/05/06 philbu No Comments

Seminar “Indigenous Media” for the MA Program in Visual and Media Anthropology at the Free University Berlin.

Course Description

“Indigenous media matters because indigenous people do.”
(Wortham 2013: 218)

Indigenous media can be broadly defined as media and forms of media expression conceptualized and produced by indigenous people. From an anthropological perspective, indigenous media can be understood as cultural product and process that are both closely connected to the construction, expression and transmission of identity. Reflecting thus indigenous people’s history as well as contemporary sociocultural and political situations. By (strategically) inserting their own narratives in the dominant media landscape – may this be accomplished through films, TV and radio programs, or websites – indigenous people also utilize media technologies as means for social change and political transformation. Indigenous media-making practices have thus become part of the “ongoing struggles for Indigenous recognition and self-determination” and can therefore be understood as a form of cultural activism (e.g., Ginsburg 2000: 30).

Continue reading Seminar: Indigenous Media 2017

Vortrag: Medien und Literalität in der Kultur- und Sozialanthropologie

2017/04/21 philbu No Comments

Budka, P. 2017. Medien und Literalität in der Kultur- und Sozialanthropologie: (Digitale) Medienpraktiken aus kulturvergleichender Perspektive. Vortrag im Workshop “Dark Side of Literacy” am Bundesinstitut für Erwachsenenbildung, Strobl, Salzburg, 20. April 2017. (PDF)

Inhalt:
Kultur- und Sozialanthropologie (KSA)
Medien in der KSA
Literalität in der KSA
„Moderne Oralität“
Digitale & Soziale Medien in der KSA

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