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Paper: Media anthropology & the archives

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Budka, P. (2023). Media anthropology and the archives: On exploring and reconstructing sociotechnical life, histories, and biographies. Paper at EASA Media Anthropology Network Workshop: “Theorising Media and Time”, Copenhagen, Denmark: University of Copenhagen, November 9-10.

Screenshot of MyKnet.org records in the Internet Archive.

Abstract

This paper looks into digital archives and how they not only serve as facilities to collect, store, and categorize media content and artifacts, but how they mediate between the past and the present. How archives potentially contribute to the future projecting and envisioning of media as well as related technologies and practices. For that the paper explores the role of archival work in media anthropological research. It builds on material from my project on the Kuh-ke-nah Network (KO-KNET), an organization established by the tribal council Keewaytinook Okimakanak (KO) to connect remote First Nation communities in Canada’s Northwestern Ontario to the internet (e.g., Budka, 2019). I was particularly interested in exploring and reconstructing the sociotechnical life of the platform MyKnet.org (1998-2019), which was set up exclusively for First Nations people to create personal homepages within a cost- and commercial-free space on the web. By tracing the rise and fall of MyKnet.org, this paper adds to the steadily growing body of research into missing and marginalized internet histories (Driscoll & Paloque-Berges, 2017).

Besides considering historical and sociocultural contexts of First Nations’ life, it critically reviews theoretical accounts and conceptualizations of change and continuity that have been developed in an anthropology of media and technology (e.g., Pfaffenberger, 1992; Postill, 2017) as well as in postcolonial technoscience (e.g., Anderson, 2002). During fieldwork many people told me stories about their first MyKnet.org websites in the early 2000s, how they evolved, and what they meant to them. People vividly described how their homepages were designed, structured, and linked to other pages. To deepen my interpretation and understanding of these narratives, I used the Internet Archive’s Wayback Machine to recover archived versions of these websites whenever possible. Thus, the Wayback Machine became an archaeological tool for my anthropological research into the sociotechnical life and history of MyKnet.org and the digital biographies of its users.

References

Anderson, W. (2002). Introduction: Postcolonial technoscience. Social Studies of Science, 32(5–6), 643–658.

Budka, P. (2019). Indigenous media technologies in “the digital age”: Cultural articulation, digital practices, and sociopolitical concepts. In S. S. Yu & M. D. Matsaganis (Eds.), Ethnic media in the digital age (pp. 162-172). New York: Routledge.

Driscoll, K., & Paloque-Berges, C. (2017). Searching for missing “net histories”. Internet Histories, 1(1–2), 47–59.

Pfaffenberger, B. (1992). Social anthropology of technology. Annual Review of Anthropology, 21, 491–516.

Postill, J. (2017). The diachronic ethnography of media: From social changing to actual social changes. Moment. Journal of Cultural Studies, 4(1), 19–43.

New in Paperback: Theorising Media & Conflict

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The edited volume Theorising Media and Conflict (Berghahn Books, 2020) is now available in paperback.
The volume’s introduction by Birgit Bräuchler and me remains openly accessible.

Abstract

The book brings together anthropologists as well as media and communication scholars to collectively address the elusive and complex relationship between media and conflict. Through epistemological and methodological reflections and the analyses of various case studies from around the globe, this volume provides evidence for the co-constitutiveness of media and conflict and contributes to their consolidation as a distinct area of scholarship.

Article: Indigenous media

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Budka, P. (2022). Indigenous media: Anthropological perspectives and historical notes. In E. Costa, P. G. Lange, N. Haynes & J. Sinanan (Eds.), The Routledge Companion to Media Anthropology. New York & London: Routledge.

Abstract

Indigenous people have been appropriating media technologies for decades to communicate within and outside their communities, to resist outside domination and for self-determination. This chapter traces developments in the anthropological study of Indigenous media, particularly since the 1990s when research in this field co-contributed to the widening area of media anthropology.

After reviewing conceptualisations of cultural activism and social change in the context of Indigenous media engagements, it analyses the Indigenization of media by considering locally specific practices of media appropriation, global processes of identity-making and the technological and infrastructural dimension of media projects.

By drawing on ethnographic examples from the anthropological literature and from the author’s fieldwork in Canada, the chapter argues that there is a strong sense of sociopolitical activism and agency in Indigenous people’s collective engagements with media. At the same time, Indigenous people’s media practices are related to mundane necessities of everyday communication, social networking, family bonding or individual self-expression.

This chapter concludes that media technologies have become an important part of Indigeneity, as a global idea and as a relational practice of collective identity formation, which coexists with the sense of belonging to a distinct local Indigenous community.

Aboriginal Peoples Television Network (APTN) Headquarter, Winnipeg, MB, Canada. (Photo by Philipp Budka)
Wawatay – Native Communications Society, Sioux Lookout, ON, Canada. (Photo by Philipp Budka)

Article: The materiality of mediated conflict & resistance

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Budka, P., & Bräuchler, B. (2022). The materiality of mediated conflict and resistance. In Media Res: A Media Commons Project – Theme Week “Critical Media Forensics”, 11 Feb.

Introduction

In our digital age the notion of media forensics evokes two ideas.

  1. One is the material nature of media, the physicality of technologies and infrastructure that enable the mediation of communication across vast distances and at enormous speeds.
  2. And one is how digital technologies are becoming increasingly important in the witnessing, investigation and countering of human rights violations. The intricate relationship between the two is crucial, but often overlooked.

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In Media Res: A Media Commons Project – Theme Week “Critical Media Forensics”

Paper: Anthropologies of sociotechnical mediation in Austria

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Budka, P. (2021). Anthropologies of sociotechnical mediation in Austria. Paper at EASA Media Anthropology Network Workshop: “Media Anthropologies in Europe”, Online (hosted by European Association of Social Anthropologists), 14-15 October.
Co-organization of EASA Media Anthropology Network Workshop “Media Anthropologies in Europe”, 14-15 October.

Abstract

This paper discusses aspects of the development and the current situation of “media anthropology”, as an anthropology of digital media technologies, in Austria. Since the 1990s, Austrian sociocultural anthropologists have been exploring new forms of media communication, digitally mediated practices of sociality as well as emerging sociotechnical systems and environments (Budka & Kremser, 2004).

While such engagements were then referred to as “cyber anthropology” or the “anthropology of cyberculture” to indicate connections to new sociocultural spaces related to the Internet, the World Wide Web and digital media technologies, they can also be conceptualised as anthropologies of sociotechnical mediation. It is through constantly changing technologies that communication, culture and sociality are mediated. As already early media anthropologists emphasised, this technical and material dimension of media cannot be neglected (e.g. Ginsburg et al., 2002).

Anthropologies of sociotechnical mediation in German-speaking countries like Austria are, however, not necessarily tied to sociocultural anthropology as empirical social science. Due to well established traditions of philosophical anthropology, media related phenomena have also been investigated from a humanities perspective that does not build its theories upon empirical data generated through ethnographic fieldwork like in sociocultural anthropology.

As this paper argues, this has resulted, on the one hand, in a dynamic field of media anthropologies and several projects that are open, diverse and interdisciplinary by nature. On the other hand, this has also contributed to a weakening of the sociocultural anthropological position, e.g., in terms of academic visibility and research funding. Similar tendencies can also be observed in anthropological explorations of “the digital” in Austria; research that frequently runs under the new rubric of “digital anthropology”.

References

  • Budka, P., & Kremser, M. (2004). CyberAnthropology – anthropology of cyberculture. In S. Khittel, B. Plankensteiner & M. Six-Hohenbalken (Eds.), Contemporary issues in socio-cultural anthropology: Perspectives and research activities from Austria (pp. 213-226). Vienna: Loecker Verlag.
  • Ginsburg, F., Abu-Lughod, L., & Larkin, B. (2002). Introduction. In F. Ginsburg, L. Abu-Lughod, & B. Larkin (Eds.), Media worlds: Anthropology on new terrain (pp. 1-36). Berkeley: University of California Press.

Reviews: Theorising Media & Conflict

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This post compiles extracts of published reviews of the edited volume Theorising Media & Conflict (eds. P. Budka & B. Bräuchler, Berghahn Books, 2020).

Younes Saramifar (Free University Amsterdam) notes in the journal Media, War & Conflict

The editors upend the conventional and normative approaches limited to discourse, visual, content, reportage or policy analysis through anthropological analysis and ethnographically rooted methodologies. By way of telling ethnographic narratives and edited via a thorough theoretical inventory of current debates, the authors argue that a non-media-centric approach traces how the complexities of media technologies, sensory perceptions and social life are interrelated (p. 9). In other words, this volume encourages scholars and media researchers to think about how media becomes social and how it produces the social fabric of conflict.

They [the editors] have broadened the notion of conflict beyond the limits of contentious clashes and push readers to see conflict through lived experiences and everyday encounters. They aptly show how articulations and representations of conflicts in the news or other media platforms differ from witnessing and experiencing conflict.

There are wonderful ideas and reminders across the book hidden like Easter eggs, making reading a theory-driven academic volume a jubilant experience.

Overall, Theorising Media and Conflict is a promising and path-opening contribution to media and conflict debates which have ignored conflict ethnographies and interdisciplinary conversations for too long. This volume is a welcome addition to security and war studies, communication, journalism and social sciences at large. All students who wonder how to study conflict without coming under fire could highly benefit from this book.

Saramifar, Y. (2021). [Review of the book Theorising media and conflict, by P. Budka & B. Bräuchler]. Media, War & Conflict. https://doi.org/10.1177/17506352211004012


Christine Crone (University of Copenhagen) comments in the Global Media Journal

The book urges us to acknowledge the importance of ethnographic methods if we are to understand the integration and mutual constitutive power of media and conflict in the twenty-first century. Rather than looking at media and conflict as two separate spheres, the overall aim is to investigate media-related everyday practices in contexts of conflict as social processes.

Half of the contributions are made up of anthropologically informed media research and the other half consists of qualitative media and communication research and thus attempts through its structure to establish a dialogue between the two traditions on how to study media and conflict. This approach allows for new and inspiring ethnographic material that offers an insight into everyday media practices of people who live and navigate in this decade-long conflict while new media technologies change the ways of communication.

The volume brings new perspectives to the table and helps us move our attention from quantitative evaluations of the role of media in conflicts to the everyday media practices in conflict areas. This sets us free to investigate the fascinating interlinking and interplay between the two – or rather to dissolve what seems to have become an artificial division of one coherent phenomenon. The book is an ethnographic contribution to the study of media and conflict, adding qualitative research to a field where quantitative studies traditionally have dominated.

Crone, C. (2021). [Review of the book Theorising media and conflict, by P. Budka & B. Bräuchler]. Global Media Journal. http://globalmediajournal.de/en/2021/02/16/rezension-theorising-media-and-conflict/

Interview: Theorising Media & Conflict

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In an interview for the University of Vienna’s Uni:view Magazin, I am talking about the edited volume Theorising Media and Conflict (Berghahn Books, 2020), its purpose, conclusions and significance for understanding recent crises (in German).

Theorising Media and Conflict brings together anthropologists as well as media and communication scholars to collectively address the elusive and complex relationship between media and conflict. Through epistemological and methodological reflections and the analyses of various case studies from around the globe, this volume provides evidence for the co-constitutiveness of media and conflict and contributes to their consolidation as a distinct area of scholarship.

The book’s introduction is accessible for free:
Bräuchler, B., & Budka, P. (2020). Anthropological perspectives on theorising media and conflict. In P. Budka & B. Bräuchler (Eds.), Theorising media and conflict (pp. 3-31). Anthropology of Media. New York & Oxford: Berghahn Books.

Films & videos on media activism & more

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This is a selection of films and videos on mediated activism, anthropological perspectives on media and culture, and globalization and (de)colonization in relation to media.
Compiled by Philipp Budka with the generous support of colleagues of the EASA Media Anthropology Network and the EASA Visual Anthropology Network.

Al Jazeera (2017). Podemos vs the Spanish Media. (10.27 min.). https://www.aljazeera.com/programmes/listeningpost/2017/04/podemos-spanish-media-170429123101624.html (openly available)

Balmès, T. (2014). Happiness. (80 min.). https://thomasbalmes.com/happiness/ (not openly available)

Bardet, S. et al. (212). The Himbas are Shooting!. (52 min.). https://www.association-kovahimba.net/en/maps/50-bande-annonce/trailer/70-les-himbas-font-leur-cinema-6 (not openly available)

Bishop, J., & Prins, H. (2003). Oh, what a blow that phantom gave me! (52 min.). https://search.alexanderstreet.com/preview/work/bibliographic_entity%7Cvideo_work%7C1876691 (not openly available)

Cavallone, E. (2016). Media & conflicts: Dangerous liaisons, an INFOCORE study reveals. (8 min.). https://www.euronews.com/2016/11/21/media-conflicts-dangerous-liaisons-an-infocore-study-reveals (openly available)

CBC News: The National (2012). Idle No More. (2.39 min.). https://www.youtube.com/watch?v=SpBdZtwH_xc (openly available)

Continue reading Films & videos on media activism & more

Book: Theorising Media and Conflict

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Budka, P., & Bräuchler, B. (Eds.). (2020). Theorising media and conflict. Anthropology of Media. New York & Oxford: Berghahn Books.

Theorising Media and Conflict brings together anthropologists as well as media and communication scholars to collectively address the elusive and complex relationship between media and conflict. Through epistemological and methodological reflections and the analyses of various case studies from around the globe, this volume provides evidence for the co-constitutiveness of media and conflict and contributes to their consolidation as a distinct area of scholarship. Practitioners, policymakers, students and scholars who wish to understand the lived realities and dynamics of contemporary conflicts will find this book invaluable.

This is the second “Theorising media and …” book in Berghahn’s Anthropology of Media series. The aim of the series is to place media anthropology at the forefront of theoretical advances in both anthropology and media and communication studies.

Table of Contents

Preface
Philipp Budka

PART I: KEY DEBATES
Introduction. Anthropological Perspectives on Theorising Media and Conflict
Birgit Bräuchler and Philipp Budka
Chapter 1. Transforming Media and Conflict Research
Nicole Stremlau

PART II: WITNESSING CONFLICT
Chapter 2. Just a ‘Stupid Reflex’? Digital Witnessing of the Charlie Hebdo Attacks and the Mediation of Conflict
Johanna Sumiala, Minttu Tikka and Katja Valaskivi
Chapter 3. The Ambivalent Aesthetics and Perception of Mobile Phone Videos: A (De-)Escalating Factor for the Syrian Conflict
Mareike Meis

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CfP: Engaged media anthropology in the digital age

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The EASA Media Anthropology Network is organizing an official network panel at the European Association of Social Anthropologists (EASA) 2020 conference in Lisbon (21-24 July). Find the call for papers below and online:
https://nomadit.co.uk/conference/easa2020/p/8591

For more general information about the call and the conference, navigate to:
https://easaonline.org/conferences/easa2020/cfp
https://easaonline.org/conferences/easa2020/

The call closes on 20 January 2020.

Engaged media anthropology in the digital age

Organizers
Philipp Budka (University of Vienna) and Sahana Udupa (LMU Munich)

Abstract
The relative ease of access and potential disruptive features of digital media have opened up new opportunities for media anthropologists to extend their field relations into durable public engagement. These possibilities have encouraged anthropologists to collaboratively design various public engagement initiatives to harness digital media technologies and infrastructures for social justice goals including health, education, environmental protection, gender parity and political inclusion. Such direct interventions have gone hand in hand with critical perspectives on how “the digital” has played a key role in enabling political cultures of indignity and injustice – from online extreme speech to digitally enabled surveillance and algorithmic bias. This panel will foreground these two distinct, yet interrelated, aspects of engaged media anthropology: community projects that involve direct participation of anthropologists in designing digital platforms and applications, and in supporting local forms of media/digital activism; and studies that envision an inclusive future through public intervention strategies of critique and discursive resistance. A key question that drives this panel is whether the latest examples of engaged media anthropology that are enabled by digital technologies and infrastructures have signaled a break from the imperial logic of upliftment and betterment as a means to consolidate colonial power or whether enduring injustices are questioned through new means of collaboration and dialogue. What are the promises and limitations of engaged media anthropology in the digital age?

Lecture/Seminar: Ethnography and Digital Media 2019

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In this lecture/seminar at the Department of Social and Cultural Anthropology, we discuss how ethnography contributes to the exploration, description and understanding of digitally mediated processes and practices (in German).

In dieser Lehrveranstaltung erhalten Studierende einen Einblick in die Ethnographie digitaler Medien. Dabei werden sowohl theoretische Zugänge und Konzepte als auch praxisnahen Anwendungs- und Erfahrungswerte vermittelt.

Digitale Medien – wie Internet, Social Media und Smartphones – ermöglichen neue Formen medialer Kommunikation und Repräsentation, die in Zusammenhang mit unterschiedlichen soziokulturellen, politischen und ökonomischen Faktoren und Dimensionen stehen. Diese Medientechnologien überbrücken nicht nur Zeit und Raum, sie gestalten diese neu. Sie ermöglichen die Vernetzung und Mobilisierung von Menschen und die Konstruktion vielfältiger Formen von individueller und kollektiver Identität. Welche theoretischen und methodologischen Zugänge sind hilfreich, um neue digitale Medientechnologien und damit zusammenhängende Praktiken und Sozialitäten zu beschreiben und zu analysieren? Können wir auf das “klassische” methodische Repertoire der Kultur- und Sozialanthropologie zurückgreifen oder benötigt es neue digitale Methoden und Techniken? Welche Bedeutung haben etwa Datensicherung und die Archivierung von digitalen Artefakten? Und welche ethischen Aspekte in der Digitalen Ethnographie gilt es zu beachten?
Studierende lernen anhand von konkreten Fallbeispielen, ausgewählte theoretische und methodologische Zugänge kennen. Sie gewinnen so einen Überblick über die Diversität digitaler Phänomene, Prozesse und Praktiken sowie deren ethnographische Beschreibung und Untersuchung.

Literatur (Auswahl)

Boellstorff, T., Nardi, B., Pearce, C., & Taylor, T. L. (2012). Ethnography and virtual worlds: A handbook of method. Princeton: Princeton University Press.

Budka, P. (2019). Von der Cyber Anthropologie zur Digitalen Anthropologie. Über die Rolle der Kultur- und Sozialanthropologie im Verstehen soziotechnischer Lebenswelten. In M. Luger, F. Graf & P. Budka (Eds.), Ritualisierung – Mediatisierung – Performance (pp. 163-188). Göttingen: V&R Unipress/Vienna University Press.

Hakken, D. (1999). Cyborgs@Cyberspace: An ethnographer looks to the future. London: Routledge.

Hjorth, L, Horst, H., Galloway, A., & Bell, G. (2016). The Routledge Companion to digital ethnography. New York: Routledge.

Miller, D., & Slater, D. (2002). Ethnography and the extreme Internet. In T. H. Eriksen (Ed.), Globalisation: Studies in anthropology (pp. 39-57). London: Pluto Press.

Pink, S., Horst, H., Postill, J., Hjorth, L., Lewis, T., & Tacchi, J. (2016). Digital ethnography: Principles and practice. Thousand Oaks, CA: Sage.

Postill, J., & Pink, S. (2012). Social media ethnography: The digital researcher in a messy web. Media International Australia, 145(1), 123-134.

More info: https://ufind.univie.ac.at/en/course.html?lv=240033&semester=2019W

Seminar: Media Activism

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For the MA Program “Visual and Media Anthropology” at the Free University Berlin, I am organizing a newly developed seminar on media activism.

Course Description

Activism with/in/through media can be broadly understood as forms of technology mediated activism that intend to spark, create and/or support social and political change. So change (and therefore continuity) is at the heart of media activism, as, for instance, Kidd and Rodriguez (2009: 1) note: “Grassroots media have grown from a set of small and isolated experiments to a complex of networks of participatory communications that are integral to local, national, and transnational projects of social change”. Since media activism is related to a diversity of phenomena – such as power relationships, conflict or globalization – as well as to questions about the conception of time and space, organizational structures, collective identities and different forms of sociality, it has become a broad, interdisciplinary research field. This course gives an overview of media activism from a predominantly anthropological and ethnographic perspective.

When engaging with media activism, a variety of contexts, theoretical conceptualizations and methodological approaches have to be considered. In this course, students learn about these aspects by reviewing relevant literature and by discussing different forms and examples of media activism and related questions, issues and problems:

  • How can we contextualize media activism and related practices in anthropology?
  • What historical developments can we identify? And what does this tell us about contemporary activist processes and practices?
  • What is the role of (sociocultural and technological) change, politics, power, globalization and (de)colonization in an anthropological engagement with media activism?
  • How can we ethnographically describe and analyze media activist processes and practices? What are the possibilities and challenges?
  • How can we understand media activism in digital times and in the age of social media? What has changed?
  • What does it mean to interpret and conceptualize media activism as (a form or a part of) cultural activism?

Reference

Kidd, D., & Rodriguez, C. (2009). Introduction. In C. Rodriguez, D. Kidd, & L. Stein (Eds.), Making our media: Global initiatives toward a democratic public sphere, Volume 1: Creating new communication spaces (pp. 1-22). New York: Hampton Press.

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Book: Ritualisierung – Mediatisierung – Performance

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Luger, M., Graf, F., & Budka, P. (Eds.). (2019). Ritualisierung – Mediatisierung – Performance. (Ritualization – Mediatization – Performance). Göttingen: V&R Unipress/Vienna University Press.

Abstract
Ritualisierung, Mediatisierung und Performance dienen als konzeptionelle Hilfsmittel, um Veränderungen und Kontinuitäten im Alltagsleben sozialer Akteurinnen und Akteure sowie in spezifischen Kontexten zu situieren. Dieser Band zeigt anhand konkreter ethnographischer Beispiele, dass rituelle, mediale und performative Prozesse und Praktiken idealerweise gemeinsam, in ihrer Relationalität zueinander betrachtet werden. Neben einem Schwerpunkt auf Transformation enthält der Band Beiträge zu ausgewählten Aspekten der Theorie, Methode und Geschichte der Kultur- und Sozialanthropologie und zu einer Ethnographie und Kulturgeschichte der Karibik, die sozialen Status, religiöse Praxis und Erinnerung behandeln sowie Texte, die Verbindungen zwischen politischen, medialen und kulturellen Sphären diskutieren.

Ritualization, mediatization and performance are conceptual tools to situate sociocultural change and continuity in everyday life and in specific contexts. By building on ethnographic case studies, this volume demonstrates that ritual, media and performative processes and practices are best explored in relation to each other. In addition to a general focus on transformation, this book includes contributions on selected aspects of the theory, methodology and history of social and cultural anthropology. Chapters about the history and ethnography of the Caribbean that discuss social status, religious practices and cultural remembrance, as well as texts that explore the connections between political, media and cultural spheres complement the volume.

Inhaltsverzeichnis
Martin Luger / Philipp Budka / Franz Graf
Kultur- und sozialanthropologische Perspektiven auf Ritualisierung, Mediatisierung und Performance. Eine Einleitung
Marion Linska
Selbstfürsorge im Feld. Überlegungen aus existenzanalytischer Perspektive
Yvonne Schaffler / Bernd Brabec de Mori
»Cuando el misterio insiste« – »Wenn sich der Geist Gehör verschafft«. Die Kunst der Überzeugung im dominikanischen Vodou
Stephanie Schmiderer
Präsenz der Gottheiten. Zum Verständnis transformativer Performance im haitianischen Vodou und seiner Diaspora
Elke Mader
Rund um die Palme. Rituelle Prozesse, indigene Politik und Medien in Ecuador
Birgit Bräuchler
Praxeologische Überlegungen zur Mediatisierungsdebatte. Eine ethnologische Perspektive
Philipp Budka
Von der Cyberanthropologie zur Digitalen Anthropologie. Über die Rolle der Kultur- und Sozialanthropologie im Verstehen soziotechnischer Lebenswelten
Manfred Kremser
»Shango is a Powerful Fellow!«. Repräsentation spiritueller Macht in afrokaribischen Kulturen
Adelheid Pichler
Artefakte und Erinnerung. Ein Beitrag zur Interpretation materieller Kultur in den afrokubanischen Religionen
Werner Zips
»She’s Royal« – »Queenmothers« in Ghana. Ein afrikanisches Rollenmodell für Jamaika
Manfred Kremser / Franz Graf / Gertraud Seiser
»Ein Leben scannen«. Fragmentarische Retrospektive von und auf Manfred Kremser

Article: Indigenous Media Technologies in “The Digital Age”

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Budka, P. (2019). Indigenous media technologies in “the digital age”: Cultural articulation, digital practices, and sociopolitical concepts. In S. S. Yu & M. D. Matsaganis (Eds.), Ethnic media in the digital age (pp. 162-172). New York: Routledge.

Introduction
Indigenous engagements with digital media technologies have been analyzed from different angles and by discussing a variety of issues, from technology access and literacy, to language, culture, and politics (e.g., Dyson, Grant, & Hendriks, 2016; Dyson, Hendriks, & Grant, 2007; Landzelius, 2006a). By drawing on a literature review and on an ethnographic case study, I am providing an anthropological perspective on the relationship between indigenous people and digital media technologies that focuses on digital practices related to the mediation of culture and the formation of (cultural) identity. Within this mediation process, cultural elements of the dominant, non-indigenous societies are recombined with elements from indigenous cultures. “Indigenized” media technologies promote thus an open and dynamic understanding of culture in “the digital age.” But when it comes to characterizing and understanding non-Western media phenomena and processes, terms such as “the digital age” or “the network society” have their conceptual weaknesses. These concepts are inherently ethnocentric, that is, Euro-American centered, implying an evolutionary world view that tends to ignore culturally different ascriptions of meaning to digital realities. I am following here Ginsburg (2008), who states that these concepts are rather reinforcing the imaginary of “the other,” existing in “a time not contemporary with our own” (p. 291). Thus, this chapter presents an anthropologically informed approach to the relationship between media technologies, culture, and politics that advocates the significance of non-Western perspectives and realities in conceptualizing and understanding the diversity of digital life.

Paper: Indigenous articulations in the digital age

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Budka, P. (2018). Indigenous articulations in the digital age: Reflections on historical developments, activist engagements and mundane practices. Paper at International Communication Association 2018 Pre-Conference “Articulating Voice. The Expressivity and Performativity of Media Practice”, Prague, Czech Republic: Hilton, 24 May. Full Paper (PDF)

The relationship between indigenous people and digital media technologies is ambivalent and enthusiastic at the same time; reflecting individual experiences and expectations as well as collective sociocultural contexts and developments. Considering indigenous people’s colonial history and colonization’s continuing effects on indigenous communities, it is not surprising that many indigenous representatives are particularly concerned about issues of power, control, and ownership related to digital technologies and new ways of knowledge production, circulation, and representation (e.g., Ginsburg, 2008).

There is a strong sense of sociopolitical activism and agency in indigenous people’s collective engagements with digital media technologies which are closely connected to the (re)construction and mediation of cultural identity, cultural articulation, social intervention, and self-determination. At the same time, indigenous people’s digital practices are related to mundane necessities of everyday communication, social networking, family bonding, or self-expression. To understand indigenous articulations in the digital age, the collective and the individual dimension need to be considered.

Idle No More Twitter Account
Screenshot: Idle No More Twitter Account, 2018

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